An affectionate slow dance. References to pornography. What rises to harassment on the set of a movie about a sexual relationship that turns violent?
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Last year, the British rocker with the iconic sneer played his biggest tour yet. At 70, he’s revealing how he survived the tough times in a new documentary.
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Reporters’ attempts to draw stars into debates about Gaza and other highly charged topics have threatened to overshadow the movies at the Berlin Film Festival.
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A best actor Oscar contender for “Blue Moon,” the star reflects on turbulent times in Hollywood and the notion of selling out: “I think about it constantly.”
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Without the usual flood of new musicals, the playwrights of works like “Becky Shaw,” “Dog Day Afternoon” and “Giant” are getting a chance to shine.
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From Merle Oberon and Laurence Olivier to Margot Robbie and Jacob Elordi nearly a century later, the onscreen connection between Cathy and Heathcliff has taken many turns.
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Onstage, “Cats: The Jellicle Ball” and Adrien Brody in “The Fear of 13.” Plus: Cardi B goes on tour, Lise Davidsen takes on Isolde at the Met, 100 years of Martha Graham and more.
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The monumental, two-film “Die Nibelungen,” drawn from similar material to Wagner’s “Ring,” is best when presented live with a full orchestra.
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He co-wrote five pop-rock songs that soared to No. 1 in the 1980s and shared in a Grammy for producing Celine Dion’s 1996 album “Falling Into You.”
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An HBO Max series tells the surreal true story of Enzo Tortora, brought down overnight by false accusations of being a member of the mob.
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Plays about addiction are filling Manhattan stages this month, depicting very different places on the recovery spectrum, from harrowing to serene.
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One of the most esteemed singers of his era, he had a wide repertoire that included Mozart, Wagner and the title role in Messiaen’s epic “St. François d’Assise.”
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The artist gave prominence to the color during a happy period that produced some of his most famous works. But it can have many different associations, a new exhibition shows.
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The Pulitzer Prize-winning investigative journalist who exposed a U.S. Army massacre in Vietnam is profiled in a new documentary directed by Laura Poitras and Mark Obenhaus.
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He created sets and lighting for dozens of productions, including “Long Day’s Journey Into Night,” and established a new art form with his theater of the deaf, combining sign and spoken language.
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The Beatles, the Stones and Clapton shared the stage with him. He made solo hits, too. A documentary by Paris Barclay explores his success and his difficult life.
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The Beatles’ beloved collaborator died at 59 in 2006. A new documentary, “That’s the Way God Planned It,” explores what he long kept hidden.
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Alongside the Frieze Los Angeles fair at the Santa Monica Airport, Feb. 26 to March 1, the city offers striking art discoveries and a celebrated group show.
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It took the artist half a century of toil in the most remote parts of Nevada to build what may be the most extreme contemporary monument ever made. Now what?
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“I don’t even know what to do with this,” Colbert said about the network’s news release on a scrapped interview with a Democratic politician, before putting the paper in a dog waste bag.
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The actor, known for his roles in “Transformers” and “Megalopolis,” was arrested early Tuesday after reportedly assaulting two people, the authorities said.
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Kathleen Chalfant, Elizabeth Marvel, April Matthis and other actors deliver top-notch performances in a play that leaves questions unanswered.
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“Monster’s Paradise,” by Olga Neuwirth and Elfriede Jelinek, attempts an operatic response to current events and politics. Is that possible?
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In roles as unalike as a neighborhood shut-in, a Corleone consigliere and a hardhearted military man, the actor brought an intensity that never wavered.
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The fuzzy provenance of a Franz Marc masterwork once owned by a Jewish banker, but now held by a German museum, has fueled a lengthy dispute over its ownership.
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The choreographer has a busy spring: early works at the Guggenheim’s swirling rotunda, a new appointment at Gibney Dance and a robust program at Bard.
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The Tony winner returns to the stage in “Every Brilliant Thing,” an interactive monologue with a message of hope “that might be vital for somebody to hear.”
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He exposed abuses in films like “Titicut Follies,” a once-banned portrait of a mental hospital, but ranged widely in subject matter, from a Queens neighborhood to a French restaurant.
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An Oscar winner, he was known for disappearing into wide-ranging roles in movies like “Apocalypse Now” and “The Godfather” and in the television series “Lonesome Dove.”
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Theater for a New Audience’s reimagining of the Shakespearean tragedy misses an opportunity to engage the play’s many echoes with our own tense era.
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Her death from cancer was the second sudden loss for this year’s edition. Naumann’s exhibition will still go ahead in May, according to a statement.
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A 15-second clip created by an artificial intelligence tool owned by the Chinese technology company ByteDance appears more cinematic than anything so far.
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To open a series of essays about U.S. presidents, George W. Bush pays tribute to George Washington, who “ensured America wouldn’t become a monarchy, or worse.”
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