The Met has looked to a foreign government, to new strategies, even to outer space, in its scramble to find money to sustain the country’s largest performing arts organization.
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Colin Jost added to his airtime playing Hegseth, the defense secretary, in the opening of a “Saturday Night Live” broadcast hosted by Ryan Gosling.
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Bill Lawrence, the man behind comedies-with-heart like “Scrubs” and “Ted Lasso,” is in the midst of a career renaissance. He has five shows on the air now, including “Rooster” with Steve Carell.
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Documents show how A.I. was used to cancel most previously approved grants by the National Endowment for the Humanities as the agency embraced President Trump’s agenda.
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Andris Nelsons’s abrupt departure from the Boston Symphony Orchestra shouldn’t be surprising to those who have witnessed his artistic decline.
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“I spend an hour a day quietly with this guy, whether it’s feeding him, cleaning out the tank, having him chill with me,” the actor said.
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Sturgill Simpson’s political screed, Olivia Rodrigo’s Magnetic Fields cover and the Lunar New Year song burning up the charts in Vietnam.
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The pop star’s arrest on suspicion of driving under the influence this week was a breaking point, years after she regained control of her life and finances.
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In “Shrinking,” this veteran performer has finally found a job in which he feels fully appreciated. “It’s the greatest experience I’ve had in my acting career,” he said.
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What once involved an actor and a casting director in a room is now a technologically advanced exercise with pros and cons for performers.
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As President Trump prepares to close Washington’s premier performing arts venue for two years, loyal patrons wonder where they’ll get their cultural fix.
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One of the starring acts at Woodstock, he and his band, the Fish, came out of the Bay Area’s psychedelic rock scene. He went on to a long career as a solo artist.
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After outgrowing its original home, the National Museum of Mathematics has added new exhibits and an art gallery space in what was an empty storefront along the Avenue of the Americas in Manhattan.
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She was part of the acclaimed creative teams on comic book series for DC Comics, including Swamp Thing, which she called “Shvampy” in her German accent.
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Friars Club memorabilia, including photos of Billy Crystal and Jack Benny’s violin, sold well at an auction that upset former members of the defunct showbiz fraternity.
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Le Corbusier famously told her, “We don’t embroider cushions here,” when she sought a job at his studio. Then he recognized her talent for design.
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She was seen as a hip-hop temptress when she was still a teenager, and her albums “Age Ain’t Nothing but a Number” and “One in a Million” sold millions of copies.
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Her landmark book “I Know Why the Caged Bird Sings” was among the first 20th-century autobiographies of a Black woman to reach a wide readership.
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The Carpenters sold more than 30 million records with the irresistible combination of her soft-rock contralto and her brother’s lush arrangements.
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She dazzled audiences in “The Wizard of Oz” and “A Star Is Born,” but her successes were later overshadowed by addiction and other struggles.
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Considered the most exciting opera singer of her time, she thrilled audiences with her penchant for spectacle onstage and in her personal life.
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A British singer who found worldwide fame with her sassy, hip-hop-inflected take on retro soul, she became a tabloid fixture because of addiction problems.
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Although her books, written in the dialect of the Deep South, established her as one of the foremost writers of Black folklore, she died in obscurity.
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With hits like “Respect” and “Chain of Fools,” she defined a female archetype: sensual and strong, long-suffering but ultimately indomitable.
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She performed with a string of bananas tied around her waist, an electrifying act that led her to become first a local sensation in Paris, and then an international star.
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With a film career spanning three decades, Miss Wong, who rose to stardom with “The Thief of Baghdad,” was acclaimed as a versatile and talented performer.
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She caused controversy with books like “Eichmann in Jerusalem,” published in 1963, which grew out of her coverage of Adolf Eichmann’s trial for The New Yorker.
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Klaus Janson, known for his work on Daredevil and Batman, said he hoped his new solo show could give people “a growing appreciation of what comics can do.”
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